In theaters June 9th, ‘Transformers: Rise of the Beasts’ offers the usual combination of robo-clashes and half-hearted human characters while proving that the franchise is really starting to run out of invention or momentum.
“Unite or fall.”
85
2 hr 7 minJun 5th, 2023
Returning to the action and spectacle that have captured moviegoers around the world, Transformers: Rise of the Beasts will take audiences on a ‘90s globetrotting… Read the Plot
What’s the story of ‘Transformers: Rise of the Beasts’?
‘Rise of the Beasts’ opens on the planet of the Maximals, a group of Transformers who arrived years ago and assumed the forms of native fauna in order to blend in (sort of). But when Scourge (Peter Dinklage), the henchman of living planet Unicron (Colman Domingo) seeking a vital McGuffin, the heroic Maximals are forced to escape, ending up on Earth thousands of years before the Autobots.
Cut to Brooklyn of the 1990s, where Noah Diaz (Anthony Ramos) is trying to support his single mother and ailing younger brother while being turned down for various jobs. Drawn into a heist by an acquaintance, he accidently ends up stealing a Porsche that is actually the Autobot Mirage (voiced by Pete Davidson) and is suddenly thrust into a battle for the future of both the robots and the planet –– as Unicron, Scourge and their other evil associates have tracked the Maximals to Earth.
Noah agrees to help Optimus Prime (Peter Cullen) and the other robots to find what they need to defeat Unicron, and that ends up pulling museum researcher Elena Wallace (Dominique Fishback) into the mission. Soon, they’re racing to stop Unicron’s plan to devour the Earth, with the help of Maximals such as Optimus Primal (Ron Perlman) and Airazor (Michelle Yeoh).
Who else is in ‘Transformers: Rise of the Beasts’?
The cast also includes John DiMaggio as the voice of Stratosphere, ‘Ted Lasso’s Cristo Fernández voicing Wheeljack, Liza Koshy as Arcee, Luna Lauren Velez as Mrs. Diaz and Dean Scott Vazquez as Kris.
Robots in Disappointment
If this was supposed to be Paramount’s big return for the ‘Transformers’ franchise, it is, sad to report, a big miss.
Directed by Steven Caple Jr. (who has already done decent work on a sequel with ‘Creed II’), the new movie mostly boasts re-heated plot elements and ideas, while throwing in very little that is fresh or new.
It’s yet another hunt for an energy thingy that will save or destroy everything, leading to very little that will engage all but the youngest cinemagoers.
Most annoyingly, while the movie does its best to hand wave the idea that humanity at large isn’t aware of the giant robots in their midst until the 2000s setting of the first Michael Bay film, the events that transpire here simply don’t support that.
Unicron, meanwhile, is far from a compelling baddie, mostly seen through communication with Scourge like an angry boss who keeps ranting at his employees. Scourge himself, despite the best efforts of the effects team, is a stock lead henchman who threatens our heroes.
And most annoyingly, he has a particular power used against one of the Maximals later in the film that is so effective you have to wonder why he doesn’t employ it more often. Maybe it takes a lot out of the poor guy. Not that anyone is expecting careful logic from a ‘Transformers’ movie, but it makes the experience of watching it that much more frustrating.
The action is relatively perfunctory, though clearer than the later Bay movies, even if Caple Jr. can’t compete with the stylish levels of “Bayhem.” There are still moments, though, where it’s tough to figure out which hunk of metal is battling which. And don’t get us started on a final act moment that comes across as the laziest rip-off of ‘Iron Man’ possibly conceived, suffering from cheap effects and a ludicrous deus ex Maximals.
Plus, between this and his useless cameo in ‘Fast X’, it might truly be time for a moratorium on movie appearances by Pete Davidson –– he’s such a one-note performer and Mirage is rarely as funny as he thinks he is. Thank goodness for Cullen, who, even when he’s playing a weirdly angry Optimus, does so with some flare.
As for the Maximals, they’re less believable performances from respected (and in Yeoh’s case, recently Oscar-winning) actors, and more the bored sound of people crammed into a voice booth and asked to recite trope-heavy dialogue that you’ve heard in a hundred movies such as this.
Oh, and because no giant studio movie can escape the lure of franchise building and potential crossovers, there’s a scene after the credits that nods towards connections with another big Hasbro property that has faltered on the big screen. It’s less likely to make fans cheer than make them sigh and wonder when the movie was going to earn this.
What works?
The ‘Transformers’ movies have tried to nod towards its human characters’ storylines (‘Bumblebee’ most effectively), and ‘Rise of the Beasts’ offers Ramos and Fishback at least something to do outside of running and reacting to the giant metal creatures.
They’re pleasingly not forced into the cliched love story, and actually contribute to the narrative, even giving the likes of Noah’s ill younger brother something to do beyond look cute and be a driving force for him changing his life.
Fans will be excited to see the Maximals enter the movie canon, though like the Dinobots before them, they largely end up as reasons for our heroes to go on a new mission rather than truly believable as characters in their own right.
The ‘Transformers’ team appears to have learned only a few lessons from ‘Bumblebee’, and ‘Rise of the Beasts’ mostly feels like a backwards step in a franchise that peaked with the 2007 original. It’s not entirely without merit, but the entertainment value could use more energon crystals.
‘Transformers: Rise of the Beasts’ receives 4 out of 10 stars.
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‘Transformers: Rise of the Beasts’ is produced by Skydance, Paramount, di Bonaventura Pictures, Bay Films, New Republic Pictures, Tom DeSanto/Don Murphy Production, Hasbro Studios, Entertainment One, and Amblin Entertainment. It is set to release in theaters on June 9th, 2023.
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